1970s cinema
What Really Went On Between Coppola and Sheen in that Hotel Room During the Filming of Apocalypse Now?
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Late in July 1976, the Coppolas returned to the Philippines. Sofia was enrolled in first grade at a Chinese school where no one spoke English (“Francis said it would be a terrific experience for her,” Eleanor recalled), and, the day before production was to resume, Eleanor dreamt heavily. At breakfast the next morning, she told…
Ruins in Rain City: Trouble in Mind and the Career of Alan Rudolph
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Filmmaker Alan Rudolph has been working in the movie business for most of his life. Coming from a Hollywood family where his dad Oscar was also a director, Rudolph began his career as an assistant director on various projects including the Jim Brown/Gene Hackman flick Riot (1969), eleven episodes of The Brady Bunch and a…
Every Picture Tells a Story: Cinema Speculation, The Getaway and Me
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Every picture tells a story. If you don’t believe me, just ask Rod Stewart. Sir Rod practically coined the phrase in 1971. He liked it so much he used it for both the title of his third solo record on Mercury and for the title of the album’s opening track. The album was a breakthrough…
What Is the Legacy of Walter Hill?
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Will the real Walter Hill please stand up? The screenwriter and director is hard to label. Should Hill, now in his 80s, be considered the screenwriter of classic crime films like “The Getaway” and “The Drowning Pool?” The director of uncharacteristic, offbeat films like “Streets of Fire,” “Brewster’s Millions” and “Crossroads?” Or the auteur of…