Culture
On Crime and Its Discontents
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The first crime was the most defining moment in the history of the human. It was not Cain’s murder. That was defining too. But the first crime began in the realm of the numinous. It could only be deemed an act of spirit. Philosophers and religionists and mystics struggle to define it. The closest anyone…
When True Crime Meets Police Brutality
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In 2016, journalist Amelia McDonell-Parry and I were asked to look into the death of Freddie Gray for the Undisclosed podcast, a series that focused on wrongful convictions. Gray had been killed in Baltimore police custody the year before, which led to mass protests and riots and became a national news story. State’s Attorney Marilyn…
The Girl and the Faun: Eden Phillpotts, His Crime Fiction and His Strange Relationship with His Daughter Adelaide
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“No biography or autobiography is true, because no one in his senses tells the truth about himself….Whoever wants to know me can find me in my work.” –Eden Phillpotts (quoted in Reverie, 1981, by his daughter Adelaide Ross) “Mr. Phillpotts has always avoided personal publicity like the plague.” —Plymouth Western Morning News, 6 April 1921…
The Gilded Age: On Invention and Excess
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“We don’t have a choice in the matter, Mr. McAllistar, we must go where history takes us.” In the HBO Gilded Age series, these were Bertha Russell’s brave words to Ward McAllister on the night Thomas Edison flipped the switch to electrically light up the New York Times Building. McAllister had expressed a qualm about…
Dorothy L Sayers and the Thirty-Foot Drain: Searching for Peter Wimsey
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Dorothy L Sayers was my gateway author to the world of crime fiction. I’d read the Sherlock Holmes stories earlier on, but that superlatively singular creation of Arthur Conan Doyle did not lead me any further. Holmes was unique, existing in his own universe, and there he remained. Not so with Sayers and Lord Peter…
From Punchline to Protagonist: Black Horror and the Monsters Who Hunt
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There’s something fascinating about horror. The darkness that hides darker monsters. The creaks and gore and jump scares. The jokes. The unearthing of fears. Whenever I’m in the mood for a campy, scary movie, I’ll go for a man-eating shark or a haunted house, or any of the Scream movies. For the longest time, it…
The Secret History‘s tragic flaw? Those Kids Are No Fun
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I recently reread Donna Tartt’s Dark Academia classic The Secret History—published 30 years ago this month—for the first time since I was a young identity-less Classics student myself. On the whole, I found the book as enjoyable as I remember (and was also struck by the degree of the homage in Tana French’s The Likeness). One…
Texas: Home to Bizarre True Crimes (And So Many Serial Killers)
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True crime writers hold the state of Texas in special regard, not so much for the volume, or even variety, of newsworthy crimes committed there, but for the often strange character of Texas lawbreakers, their quirks, their gruesome excesses and the sometimes striking originality of their offenses. “Texas doesn’t have more crime than other places,”…
Phonies: J.D. Salinger and Wielding Copyright as Self-Protection
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After J.D. Salinger published his story “Hapworth 16, 1924” in The New Yorker in 1965, he decided to stop publishing his works. Although he had resigned from his nearly twenty-year-long stint in the literary spotlight, retreating to a home in Cornish, New Hampshire, and beginning a reclusive lifestyle, he assured The New York Times in…