Detective Fiction
All the (Crime) World’s a Stage: The Irresistible Pairing of Mysteries and the Theater
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Crime writers utilize an extraordinarily wide range of back-grounds for their stories, but the stage is one of the most popular of them all. Stories set in—or connected with—the theatre, concert halls, or similar venues have entertained readers since the nineteenth century, and there is no sign of this changing. One of the main strengths…
From Academic to Crime Writer
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“You can’t be serious.” Twice in my life, academic colleagues and friends have had that reaction when I’ve told them what I was planning to do. The first time was in the early 1990s, when I decided to teach a course on LGBT politics at the University of California, San Diego, one of the first…
Kenneth Branagh and De-Poiroting Hercule Poirot
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A man with his back to the world waits for two impossible and perfect eggs. He follows an officer to the transport as a dream-generated locomotive leaves the story. He dreams of a holiday in Egypt and wakes up in the gnarls of memory’s black and white world; his famous face is shaped by loss…
A Haunting in Venice is the Best of Kenneth Branagh’s Poirot Adaptations, and an Engaging Film On Its Own
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I was impressed by A Haunting in Venice as much as I was relieved by it. I had always found it both delightful and intriguing that, of all the possible franchises to take on, Kenneth Branagh chose Hercule Poirot, a funny, punctilious little Belgian detective. Yes, Poirot is one of the best—and best-known—detectives in literature…