Essays

  • Fighting Toxic Masculinity Through Young Adult Fiction

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    When I was dreaming up the plot of my latest young adult thriller, The Revenge Game, I posed the following research question to my social media followers: “It’s hard to phrase, but did you ever experience kids at school/camp participating in, like, sexual conquest competitions? Example: at my camp, the *cool kids* would rank the…

  • How to Edit a Series of Crime Novellas with 30 Different Authors and Come Out the Other Side Feeling Grateful

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    Talk to anyone who has edited an anthology, planned a Noir at the Bar, or even just tried to figure out where to go for dinner, and you’ll get the same sentiment—where writers are concerned, organizing anything is like herding cats. Except it really isn’t true. I mean, it is true where an anthology is…

  • Lee Goldberg on Westerns, Crime Novels, and Writing A Genre Mash-Up

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    I’ve always loved crime novels and westerns. I’ve written dozens of crime novels, but not any westerns.  Or so I thought.  A few years ago, at a book signing event for one of my “Eve Ronin” series of police procedurals, a reader told me I was her favorite western author, which I thought was a…

  • Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

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    I have been an avid consumer of true crime for decades now. Before podcasts, I watched the Paradise Lost documentaries, Dateline NBC (a favorite, because of Keith Morrison’s purple prose and swooning affect, not to mention the hardboiled charm of Josh Mankiewicz), 20/20, and Cold Case Files and Wicked Attraction, et cetera ad infinitum. As…

  • From Sports Reporter to Crime Writer

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    Ask me why I created a female sports reporter protagonist and the answer is easy. That’s my background. I intimately know the character’s experiences—the smell of the locker rooms, the chit chat with a camera operator and the adrenaline rush of a newsroom. Ask me why I decided to write a thriller—well, that question stumped…

  • Native American Novels, Recommended by Indigenous Booksellers

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    I am a book pusher. Think Tina Fey in Mean Girls at her desk chomping a chocolate doughnut and explaining, “Because I’m a pusher. I push people.” For me, it’s toward books I love, and especially, books I love by authors of underrepresented groups telling their stories their way. As a member of the Cherokee…

  • A Childhood Full of Love and Death: On Growing Up With a Father in Forensics

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    It wasn’t a surprise to those who knew me as a child that when I start telling stories for a living, they were centered around the forensic and crime investigation world.  I started my forensic training almost at birth. My father was a medical examiner for three counties in north Michigan and the coroner’s office…

  • The Real Life Marital Imbroglio of Ernie Sherry, Son of Crime Writer Edna Sherry

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    For decades American novelist and playwright Edna Sherry, author between 1948 and 1965 of nine crime novels, has essentially been viewed as a one-work writer, based on the terrific success of her nail-biting 1948 crime novel Sudden Fear, or more truly its hair-raising 1952 film adaptation, which starred Joan Crawford, Jack Palance and Gloria Grahame…

  • A Cultural History of the Erotic Thriller

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    The strip mall video rental store was an emporium of illicit dreams. Its doorway in the small town where I came of age, located in between candy store and pharmacy, doubled as a portal into fantasy, dark explorations of human nature, and cheap thrills that looked mightily expensive. Beginning in my early teenage years, I…

  • James Kennedy: “Storytellers are manipulative cult leaders.”

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    I missed my chance to be in a cult. In my twenties, a guy on the street handed me a pamphlet to join a “communal farm”—an obvious cult. Nevertheless, I was intrigued: maybe I could enjoy this farm’s bucolic vibes and free love, while shrewdly avoiding any mass suicide, or baby-eating, or barnyard chores. I…


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