Features
Dorothy L Sayers and the Thirty-Foot Drain: Searching for Peter Wimsey
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Dorothy L Sayers was my gateway author to the world of crime fiction. I’d read the Sherlock Holmes stories earlier on, but that superlatively singular creation of Arthur Conan Doyle did not lead me any further. Holmes was unique, existing in his own universe, and there he remained. Not so with Sayers and Lord Peter…
From Punchline to Protagonist: Black Horror and the Monsters Who Hunt
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There’s something fascinating about horror. The darkness that hides darker monsters. The creaks and gore and jump scares. The jokes. The unearthing of fears. Whenever I’m in the mood for a campy, scary movie, I’ll go for a man-eating shark or a haunted house, or any of the Scream movies. For the longest time, it…
It’s All Relative: Horror’s Worst Families
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Have you ever seen those Progressive Insurance commercials about becoming your parents? Would you be surprised if I told you they inspired a horror novel? Specifically, my new novel BLACK SHEEP. It wasn’t so much the commercials themselves that got me thinking, but the message behind them. Are we destined to become our parents? Can…
The Secret History‘s tragic flaw? Those Kids Are No Fun
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I recently reread Donna Tartt’s Dark Academia classic The Secret History—published 30 years ago this month—for the first time since I was a young identity-less Classics student myself. On the whole, I found the book as enjoyable as I remember (and was also struck by the degree of the homage in Tana French’s The Likeness). One…
Texas: Home to Bizarre True Crimes (And So Many Serial Killers)
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True crime writers hold the state of Texas in special regard, not so much for the volume, or even variety, of newsworthy crimes committed there, but for the often strange character of Texas lawbreakers, their quirks, their gruesome excesses and the sometimes striking originality of their offenses. “Texas doesn’t have more crime than other places,”…
Phonies: J.D. Salinger and Wielding Copyright as Self-Protection
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After J.D. Salinger published his story “Hapworth 16, 1924” in The New Yorker in 1965, he decided to stop publishing his works. Although he had resigned from his nearly twenty-year-long stint in the literary spotlight, retreating to a home in Cornish, New Hampshire, and beginning a reclusive lifestyle, he assured The New York Times in…