Gemma Amor

I’ve always struggled with some of the prevailing definitions of ‘gothic’ fiction. Tradition dictates there should be elements of fear, threat, woe, that hauntings should occur and vile things must transpire. Gloominess and atmosphere are everything: crumbling castles (gothic architecture inhabits many gothic novels, see Thornfield, Manderlay, High Place, the castle of Otranto), windswept coastlines,…