theater
Alexis Soloski on Theater, Criticism, and the Mystery of Performance
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Vivian Parry, the main character of Alexis Soloski’s Here in the Dark, is a perceptive theater critic for a New York magazine. She’s tough on hammy actors, but even harder on herself. Despondent since her mother’s sudden death, Vivian is a self-proclaimed “abyss where a woman should be,” one who dulls “any genuine feeling with…
All the (Crime) World’s a Stage: The Irresistible Pairing of Mysteries and the Theater
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Crime writers utilize an extraordinarily wide range of back-grounds for their stories, but the stage is one of the most popular of them all. Stories set in—or connected with—the theatre, concert halls, or similar venues have entertained readers since the nineteenth century, and there is no sign of this changing. One of the main strengths…
“The Mousetrap”: Still Going Strong After 28,000 Performances
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On the day Agatha Christie died in 1976, London theaters dimmed their lights for an hour in a show of esteem for her. While best known as the top-selling novelist of all time, Christie also set a record for the longest running stage production. The play she predicted would last 8 months, The Mousetrap, opened…
From Broadway Musicals to Thrilling Mysteries: A Writing Life in Two Acts
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I’ve always been a tremendous fan of thrillers, especially of the psychological variety. Whether on the page or on the screen, they rank amongst my favorite thing ever. (I can practically recite the entirety of Rear Window verbatim, with a convincing Grace Kelly, Jimmy Stewart or Thelma Ritter impersonation, depending on the delivery.) I adore…
The Off-Broadway Play Dracula: A Comedy of Terrors Is Cute, Not-So-Bloody Fun
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Gordan Greenberg and Steve Rosen’s new play Dracula: a Comedy of Terrors, now open at New World Stages, is production is replete with playful contradictions. Despite the presence of the word “terrors” in the title, there’s nothing too grisly to worry about. After all, the fanged teeth featured in the logo for the show are…
The New York City Theater Where True Crime Was All the Rage…in the Early 19th Century
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Long before the doors opened, a crowd gathered outside the theater. Noisily, they bustled in, country folk and urban dandies alike, to find themselves good seats. The old mansion’s walls reverberated with their footsteps on the hardwood floors, spirited greetings, idle gossip, and talk of politics. The playhouse had once been the country home of…