Tilda Swinton
David Fincher’s The Killer is a Winking Investigation into the Limits of Control
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In his foreword to Adam Nayman’s “David Fincher: Mind Games,” director Bong Joon-ho explains his personal dichotomy for classifying films, dividing them into “curvilinear” (like those of Federico Fellini and Emir Kusturica) and “linear” (like those of Stanley Kubrick and David Fincher). Bong makes a point to say that Fincher goes beyond the linear, “[cutting]…