Traditional Mystery
A Murder of Poets: Or, the Inescapable Connections Between Crime Fiction and Poetry
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“Murder will out…” –Geoffrey Chaucer, The Canterbury Tales Poetry and pathology. Verse and victim. Meter and murder and mayhem. Poetry and crime fiction seem to go together like, well, rhyme and reason. Crime novelist and CWA Diamond Dagger winner Martin Edwards has been quoted as saying that the pair share “the importance of form…
A Haunting in Venice is the Best of Kenneth Branagh’s Poirot Adaptations, and an Engaging Film On Its Own
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I was impressed by A Haunting in Venice as much as I was relieved by it. I had always found it both delightful and intriguing that, of all the possible franchises to take on, Kenneth Branagh chose Hercule Poirot, a funny, punctilious little Belgian detective. Yes, Poirot is one of the best—and best-known—detectives in literature…
An Appreciation of Gardening Detectives
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Gardening detectives, both professional and amateur, abound in crime fiction and they appeared early on. Wilkie Collins introduced the first horticulturally inclined investigator in The Moonstone. The serialized story first appeared in the United Kingdom in January 1868 in Charles Dickens’s periodical All the Year Round and simultaneously in Harper’s Weekly in the United States….
Dorothy L Sayers and the Thirty-Foot Drain: Searching for Peter Wimsey
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Dorothy L Sayers was my gateway author to the world of crime fiction. I’d read the Sherlock Holmes stories earlier on, but that superlatively singular creation of Arthur Conan Doyle did not lead me any further. Holmes was unique, existing in his own universe, and there he remained. Not so with Sayers and Lord Peter…