Heist
How An Obsession With Art Crime Became a Thriller
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If you have ever wanted to know how it feels to snatch a painting from a museum wall, slide it under your shirt, and take off, then Michael Finkel’s, The Art Thief is for you. Finkel puts you in the scene and in the mind of Stephane Breistwieser, a man who stole more than 200…
1987: The Thrilling-est Year in Hollywood History
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Recently, I saw an article that claimed that 1999 was the best year in Hollywood history. Then another claimed it was…1971? I beg to disagree. It is my belief that the greatest single year in Hollywood was 1987. Here’s my thinking. To me, a classic film is basically one that you can see time and…
Shakespeare’s First Folio has been Stolen Many, Many Times
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Late at night on July 13th, 1972, an unknown person entered the University of Manchester’s Library and violently smashed the plate glass top of an exhibition case, stealing the contents. Inside was one of the most famous, most valuable books in existence: the library’s near-perfect edition of one of Shakespeare’s First Folios. This theft is…
How to Edit a Series of Crime Novellas with 30 Different Authors and Come Out the Other Side Feeling Grateful
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Talk to anyone who has edited an anthology, planned a Noir at the Bar, or even just tried to figure out where to go for dinner, and you’ll get the same sentiment—where writers are concerned, organizing anything is like herding cats. Except it really isn’t true. I mean, it is true where an anthology is…
Every Picture Tells a Story: Cinema Speculation, The Getaway and Me
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Every picture tells a story. If you don’t believe me, just ask Rod Stewart. Sir Rod practically coined the phrase in 1971. He liked it so much he used it for both the title of his third solo record on Mercury and for the title of the album’s opening track. The album was a breakthrough…
What Is the Legacy of Walter Hill?
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Will the real Walter Hill please stand up? The screenwriter and director is hard to label. Should Hill, now in his 80s, be considered the screenwriter of classic crime films like “The Getaway” and “The Drowning Pool?” The director of uncharacteristic, offbeat films like “Streets of Fire,” “Brewster’s Millions” and “Crossroads?” Or the auteur of…
The Backlist: Revisiting Steven Hamilton’s ‘The Lock Artist’ with Elle Cosimano
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When I started writing crime fiction, what I worried about most was all the stuff you had to know. I had never been a criminal, a detective, a private investigator, or a lawyer. I didn’t know how to steal a car or bury a body or fake an alibi. Of course there was always Google,…