Noir/Hardboiled
Shop Talk: Michael Farris Smith on Learning the Habit of Writing
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I cut my teeth on Larry Brown. If you’ve never heard of Larry before, let me introduce you by way of Michael Farris Smith. Both are Mississippi authors who aren’t afraid to stare straight into the hard stuff. Both write prose so clean it sings. Larry was gone by the time I started reading him,…
A List of Jewish Crime Thrillers
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My novel The Great Gimmelmans is about a family of Jewish bank robbers who lose all their money in the Stock Market Crash of 1987 and start robbing banks, kids and all, out of the only thing that hasn’t been repossessed: their gas-guzzling RV. The Gimmelmans begin as a secular, reform Jewish family, but by…
Sudden Death and the Startlement of Absence
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Sudden Death is a dirty business. It touches you, and there’s no rubbing it off. Scrub until you bleed. No dice—it remains. Maybe that’s why I keep writing about it. A Southern California summer in ‘93. I remember blades of grass on the bottoms of my feet. Morning dew between my toes, and sunshine on…
Confessions of a Serial Anthology Editor
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My parents moved to Paris in France for work when I was only three years old. As a result, not only did I become bilingual (and was once capable of writing in both languages) but I spent much of my first two decades navigating between France and England as a result. In my early teens,…
Ruins in Rain City: Trouble in Mind and the Career of Alan Rudolph
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Filmmaker Alan Rudolph has been working in the movie business for most of his life. Coming from a Hollywood family where his dad Oscar was also a director, Rudolph began his career as an assistant director on various projects including the Jim Brown/Gene Hackman flick Riot (1969), eleven episodes of The Brady Bunch and a…
James Reich on Indie Publishing, Taking Risks, and the Beauty of Melancholy
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In 2017, I read the novel Patricide, by D. Foy. It’s a brutal and challenging book, full of ungodly sorrow and heartbreak. It’s the kind of book you can’t read before bed because it’ll make sleep impossible. But it’s also a beautiful and tender piece of work. I was curious who would publish such a…
What Is the Legacy of Walter Hill?
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Will the real Walter Hill please stand up? The screenwriter and director is hard to label. Should Hill, now in his 80s, be considered the screenwriter of classic crime films like “The Getaway” and “The Drowning Pool?” The director of uncharacteristic, offbeat films like “Streets of Fire,” “Brewster’s Millions” and “Crossroads?” Or the auteur of…
David L. Ulin on Capturing the Special, Despairing Noir of the West
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David L. Ulin has spent the better part of thirty years as the preeminent book critic in the West; first at the late, great, LA Reader and then as book review editor and later Book Critic for the Los Angeles Times and currently as the books editor for Alta Journal. At the same time, he’s…
Shop Talk: Lou Berney Is a Fanatical Believer in Naps
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Lou Berney is one of the reasons I write crime fiction. Coming up, I cut my teeth on Southern writers like Flannery O’Connor, Larry Brown, Harry Crews, and Jesmyn Ward. It wasn’t until I found The Long and Faraway Gone, Lou’s third novel, that I realized the full power of crime fiction. I’m not alone…